The 500 - #223 - War - U2

I was inspired by a podcast called The 500 hosted by Los Angeles-based comedian Josh Adam Meyers. His goal, and mine, is to explore Rolling Stone Magazine's 2012 edition of The 500 Greatest Albums of All Time. 

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Album: #223
Album Title: War
Artist: U2
Genre: Post Punk, Rock
Recorded: Windmill Lane Studios, Dublin, Ireland

Released: February, 1983
My age at release: 17
How familiar was I with it before this week: Very

Is it on the 2020 list? No
Song I am putting on my Spotify Playlist: Sunday Bloody Sunday

Album cover for War, featuring Peter Rowan, the brother
of U2 singer Bono's friend Guggi.

Last week, I booked two plane tickets to England. My wife and I will arrive in Manchester and, after visiting my family, travel by train through Scotland. It will be my wife’s debut venture to her ancestral homeland, her mother being a Scot. Decades have passed since I was there, and we are looking forward to the trip with excited anticipation.

When I visited at age 12, I stayed for more than a month, touring plenty of locations throughout Britain. The adults in my world were generous with their time, energy and resources to make sure I saw the now-refurbished industrial centre of Manchester, the ancient city of York, the pastoral county of Kent, the seaside mecca of Blackpool in the northwest of England and, of course, London. The moorlands of the northern counties of Lancashire and Yorkshire offer locals and visitors alike with dramatic, ever-changing vistas as clouds billow above, casting shadows across the hills and dales below.

While visiting Manchester, I had my first encounter with "The Troubles" -- what has been described as an ethno-nationalist conflict in Northern Ireland – that started in the 1960s. Tension was high in large English cities because of the unpredictable threat of guerrilla terrorism by the Irish Republican Army (IRA), a paramilitary group that sought the end of British control over Ulster (Northern Ireland) and unification with the independent Irish Republic to the south.

My mom and I were in a department store in downtown Manchester when shoppers were ordered to evacuate the building after a telephone bomb threat. It was all new to me and I didn't understand the urgency and alarm in my mother's tone as she hurried me out to the streets. My regret was having been hauled from the record department where I had been flipping through album covers.

Manchester in 1977.

Over the next few years, I became more politically aware. By the time I was 13, I had started watching the nightly news. My parents played CBC Radio religiously, including the evening news program As It Happens. Crucially, it was a time when I realized that music – classic and contemporary – held valuable lessons in history through protest songs. I didn't always understand the message behind some of those songs, but the passion and emotion were undeniable.

Journalists Barbara Frum and Alan Maitland, hosts of
As It Happens in the late 70s.

War, the third record from Irish post-punk rock band U2, was released in February, 1983. The lead single, New Year's Day, was issued a month earlier and was getting some airplay on London, Ontario, radio stations, mainly CHRW broadcasting from what is now known as Western University. I was a late convert to the band even though U2 concert shirts were popular at my high school and albums clearly displayed at local music shops. Frankly, I wasn’t convinced the Irish band was worth spending my hard-earned dollars on.

Album cover for the single release of New Year's Day.

That summer, in 1983, U2 released their first live album, the soundtrack to a  film taken of their 1983 American concert tour. Shot at the Red Rocks Amphitheatre in Colorado, Under A Blood Red Sky elevated the band significantly in North America. Furthermore, the video of the protest song, Sunday Bloody Sunday, was clipped from the concert film. When it aired on television, I recorded it on the family VCR along with other rock videos. Ostensibly, I was crafting a mixed video cassette of songs, Saturday Night Live episodes and comedy bits. That summer, I probably watched that cassette 50 times.

The song, Sunday Bloody Sunday, relates to two events of sectarian violence between Catholics and Protestants that occurred in Ireland. The first was on Sunday, November 21, 1920, in Dublin during The Irish War of Independence. The tragedy began with an IRA assassination operation led by Michael Collins that killed 15 members and associates of the "Cairo Gang",  a group of undercover British Intelligence officers. In response, British forces raided a Gaelic football match, opening fire on spectators and players, killing or critically injuring an additional 15.

News Article about Bloody Sunday and Michael Collins.

The second event occurred on Sunday, January 30, 1972. Sometimes called The Bogside Massacre, British military forces shot 26 unarmed citizens during a protest march in the Bogside area of Derry, Ireland. The march, organized by the Northern Ireland Civil Rights Association,  protested the imprisonment without trial for Irish dissidents. Later, two British tribunals cleared the soldiers of any wrongdoing, a contentious decision that is still considered a whitewashing of these tragic events.

Irish Times article following the events of Bloody Sunday, 1972.

In the early 1980s, before information on the internet was at my fingertips, it was the music of protest artists who helped me better understand history and my place in the world. In addition to U2, others were The Clash, Bruce Springsteen, Pink Floyd, Peter Gabriel, John Lennon and Elvis Costello. They sparked important conversations with my friends. We didn't get everything right. It was tough to fact check opinion in 1983. However, it is not surprising that so many of those artists occupy spots on The 500 list. War is one of five U2 records on the 2012 list and, even though "The Troubles" came to a shaky peace agreement in 1998, the themes on that record still resonate today -- particularly in light of the horrific events currently unfolding in Gaza and the still-fragile Irish pact. I thought about The Troubles a lot as I reflected on the impactful lyrics from Sunday Bloody Sunday.

"The trenches dug within our hearts,

And mothers, children, brothers sisters torn apart.

How long, how long must we sing this song?

How long?

How long?"

The 500 - #373 - Volunteers - Jefferson Airplane

I was inspired by a podcast called The 500 hosted by Los Angeles-based comedian Josh Adam Meyers. His goal, and mine, is to explore Rolling Stone Magazine's 2012 edition of The 500 Greatest Albums of All Time. 

Album # 373

Album Title: Volunteers
Artist: Jefferson Airplane

Genre: Psychedelic Rock, Acid Rock, Folk Rock
Recorded: Wally Heider Studios, San Francisco
Released: November, 1969
My age at release: 4
How familiar was I with it before this week: Not at all
Song I am putting on my Spotify Playlist: We Can Be Together

The Vietnam War, or Second Indo-China War (1955-1975), was ever-present when I was a teen and young adult in the 1980s. Not in reality, but in film. 

Vietnam themed films of the 1980s

This wasn't new subject matter. Films about the conflict in Vietnam were being released even as the war raged on -- John Wayne's The Green Berets, is probably the most recognizable example.

The Green Berets featuring John Wayne (1968)

However, unlike The Green Berets, which was decidedly pro-military, the films of my youth examined the war more critically. In the late 70s and early 80s, the returning Vietnam veteran, physically and emotionally wounded from the experience, loomed large in society. So, understandably, they became an important part of contemporary storytelling.

Vietnam veterans hold a silent march
past the White House - April 22, 1971. 

Additionally, many film-makers, including Oliver Stone (Platoon, Born On The Fourth Of July), had participated in combat during this war. 

It was a time when I was becoming a movie buff. The 1980s was also a decade when video-cassette-recorders (VCRs) were an affordable option for families. Additionally, I was fortunate to live a $1 bus ride away from dozens of movie theatres, including The New Yorker, a revival house or repertory cinema, which exposed me to war-themed films from the 70s, including Taxi Driver, Apocalypse Now, The Deer Hunter and Coming Home. 

Vietnam themed films of the 1970s

These films not only helped me develop my understanding of this turbulent period in history, they were also my first exposure to the music of that time. As a result, I became a fan of The Doors, Creedence Clearwater Revival, The Rolling Stones and, this week's featured artist, Jefferson Airplane. 

Promotional photo (1966) Top Row - Casady, Slick Balin
Bottom Row - Kaukonen, Kantner, Dryden (l-r)

Volunteers was the fifth release by American psychedelic rock group Jefferson Airplane. It also marked the final release by the group's classic line-up: Marty Balin (vocals), Paul Kantner (guitars, vocals), Grace Slick (vocals), Jorma Kaukonen (guitars, vocals), Spencer Dryden (drums) and Jack Casady (bass).

The record was controversial not only because of its lyrics, which were anti-war and anti-government, but also because it contained profanity. The record company, RCA, was initially hesitant to release the album because of the R-rated language, but a precedent had been set when they released the soundtrack to the Broadway musical Hair in 1968. 

Original Cast Recording of Hair - released by RCA (1968)

The times and issues have changed, but frustration with government decision making continues today. Many Ontarians are justifiably angry about the federal and provincial mishandling of the ongoing Covid-19 pandemic, including the unreliability of vaccine availability. Consequently, I returned to virtual learning with my Grade 7 class this week. 

As I played Volunteers, the themes of frustration, loss, nature, community and ecology found a way to resonate with me in 2021 as they must have with young anti-war protesters in 1969 -- when the second Indo-China War raged into its third decade under a fourth U.S. administration.

What about you? 

Got a favourite Jefferson Airplane song...or a favourite film about the war in Vietnam? 

 

The 500 - #444 - War - The World is a Ghetto

I was inspired by a podcast called The 500 hosted by Los Angeles-based comedian Josh Adam Meyers. His goal, and mine, is to explore Rolling Stone's 2012 edition of The 500 Greatest Albums of All Time. 

My plan (amended). 

• One record per week(ish) and at least two complete listens.
• A blog post for each, highlighting the important details and, when possible, a background story that relates to the record.
• No rating scale - just an effort to expand my appreciation of diverse forms of music.
• Listen to Josh and his guest on The 500 podcast to gather additional information and insights.

Album # 444

Album Title: The World is a Ghetto
Artist: War
Released: November, 1972
My age at release: 7
How familiar was I with it before this week: A little
Song I am putting on my Spotify Mix: City Country City
Great Lyric:
"I knew we met each other this morning for a reason.
Thinking, talking, we've worked out our problems.
Looked like we should have better days in front.
Just because we took our time to think and talk,
For a much better understanding." 
(Four Cornered Room)

There is so much to like about the band War. They are a true, musical crossover act that blends elements of Latin-tinged funk with rock, soul, rhythm and blues, reggae and jazz. They boast a multi-ethnic line-up of talented players who, as BBC writer Daryl Easlea put it, "effortlessly transcended racial and cultural barriers."

Originally formed in 1969 by record producer Jerry Goldstein who paired Eric Burdon, former lead singer of the UK band The Animals, with a group of North Hollywood session players. The band were, at the time, backing NFL defensive-end turned musician and actor Deacon Jones in LA clubs. Those of my vintage might remember Jones best from his appearance on the television program The Brady Bunch.

The band's goal, according to original member Leroy "Lonnie" Jordan, was "to spread a message of brotherhood and harmony, using instruments and voices to speak out against racism, warfare, gangs, crime and poverty."

My exposure to the band was through a string of hit records played in heavy rotation on both FM radio and featured in film soundtracks through the 80s and 90s. In particular, Spill the Wine, The Cisco Kid, Why Can't We Be Friends and Low Rider. 

I've given The World is a Ghetto multiple listens this week. The rhythmic percussion is undeniable and the soulful, jazzy grooves feel like a slow drive in a large sedan through an inner-city in the early 70s, particularly City Country City which I selected for my Spotify Mix. Granted, my opinion is gleaned from films or television programs from the era and a few trips through downtown Detroit to see Tigers' games when I was a boy.

If you would like to learn more about this record, Josh's Podcast provides greater context and insight. His guest, former NBA champion Caron Butler, is an engaging and honest storyteller. Butler is currently working with producer/actor Mark Wahlberg on a film about his life based on his memoir Tuff Juice: My Journey from the Streets to the NBA.