The 500 - #118 - Late Registration - Kanye West

I was inspired by a podcast called The 500 hosted by New York-based comedian Josh Adam Meyers. His goal, and mine, is to explore Rolling Stone Magazine's 2012 edition of The 500 Greatest Albums of All Time.

---

Album #:118
Album Title: Late Registration
Artist: Kanye West
Genre: Hip Hop, Pop Rap, Progressive Rap
Recorded: Three Studios in Hollywood, One in New York

Released: August, 2005
My age at release: 40
How familiar was I with it before this week: A couple songs
Is it on the 2020 list? Yes, at #117, rising one spot
Song I am putting on my Spotify Playlist: Gold Digger

I love the way music transforms. How a melody can slip out of one era and reappear in another wearing a completely different outfit. How something sacred can become secular, and then become something else entirely. I think of it as sonic alchemy (although I suspect I'm not the first to use that term). For me, it defines the way one artist melts down an old sound and recasts it into something new. Eventually, a new creation exists that is unrecognizable from the original source material.

It reminds me of the way my classroom lessons evolve over the years, and how each new cohort of students finds inventive ways to remix the challenges I give them. I often call these “low floor, high ceiling” activities because the entry point is accessible to everyone, but the possibilities stretch as far as their imagination. One of my favourites, a simple rock‑blaster coding game, has been reimagined for more than a decade in ways that still surprise me.

Gold Digger, the second single released from Kanye West's sophomore studio release, Late Registration, is a fascinating tale of sonic alchemy that takes place over more than a century. It is also a musical odyssey that continues today and, I suspect, will keep going beyond my lifetime.

It all started in 1901 when American gospel songwriter William Lamartin Thompson penned the Christian hymnal Jesus Is All The World To Me. Thompson, born in East Liverpool, Ohio, in 1847, studied at the New England Conservatory of Music in his early twenties. After facing rejection from commercial publishers in New York, he founded The W. L. Thompson Music Company in 1875. It soon became a prominent gospel publishing house and allowed Thompson to retain the rights to his music -- a rarity at the time.

William Lamartin Thompson

Fast forward 50 years and the gospel quartet The Southern Tones borrowed the hymn's melodic structure and transformed it into the song It Must Be Jesus. The reworked piece became a modest hit, mainly on Southern gospel radio stations where, one afternoon in 1954, singer Ray Charles was listening to it.

It Must Be Jesus - by The Southern Tones.

Charles secularized the gospel groove, a decision that shocked some church communities at the time, and wrote the soul song I Got A Woman. Charles kept the melodic contour of the song, as well as its rhythmic bounce. He also made use of the "call and response" lyrics, a technique that he would return to with his biggest hit, What I'd Say, in 1959.

Album jacket for the single, I Got A Woman (1954).

Fast‑forward another 50 years and Kanye West is in the studio, zeroing in on a tiny slice of Ray Charles’s I Got a Woman, the moment where Charles belts out that unmistakable line, "She gives me money, when I'm in need". Kanye lifts that fragment, reshapes it, and drops it into the foundation of his beat, building a new melodic world on top of Ray’s groove before laying down his rap.

To strengthen the Ray Charles connection, West recruited actor, comedian and singer Jamie Foxx to sing the a capella (vocal) introduction to the song. Foxx had won the Academy Award a year before for his portrayal of Charles in the biopic Ray.

Movie poster for Ray, starring Jamie Foxx.

So, a Christian hymn from 1901 informed a gospel hit from 1954 which was reworked into a R&B hit for Ray Charles, which, 50 years later, was sampled in a platinum selling hip-hop classic. That sonic alchemy continues today. In 2025, American rapper Freddie Gibbs partnered with DJ/producer The Alchemist (real name Alan Maman) to release the song I Still Love H.E.R. which samples West's Gold Digger. The beat, indeed, goes on.

The 500 - #298 - The College Dropout - Kanye West

I was inspired by a podcast called The 500 hosted by Los Angeles-based comedian Josh Adam Meyers. His goal, and mine, is to explore Rolling Stone Magazine's 2012 edition of The 500 Greatest Albums of All Time. 

---

Album: #298

Album Title: The College Dropout

Artist: Kanye West

Genre: Hip-Hop, Pop Rap, Chipmunk Soul, Conscious Rap

Recorded: 11 Studios in the U.S.

Released: February, 2004

My age at release: 33

How familiar was I with it before this week: One Song

Is it on the 2020 list? Yes, at 74 (Moving up 224 spots)

Song I am putting on my Spotify Playlist:  Jesus Walks

Album cover for The College Dropout

He goes by many names, including Yeezus, Yeezi, Ye, Saint Pablo and The Louis Vuitton Don.

He is a rapper, singer, songwriter, producer, fashion designer, entrepreneur and billionaire.

Some people, including himself, consider him a genius. Others, including his estranged wife Kim Kardashian, worry about his mental health.

West with Kardashian during their seven year marriage

He is Kanye West – a divisive figure, making provocative and controversial public choices and statements that have led to reactions that range from head-shaking dismissal to outrage from the media and the public. There have been so many dubious, questionable, weird and contentious moments in his 20-year career. Here are just a few:

• In 2005, during a televised celebrity fund raiser for victims of Hurricane Katrina, Kanye went off script to announce; "(President) George Bush doesn't care about black people."
• In 2009, at the MTV Music Awards, he stormed on stage to interrupt 19-year-old Taylor Swift's acceptance speech, announcing that Beyonce was more deserving of the award.
• When commenting on African-American slavery, Kanye state that, "it was a choice" because it went on for 400 years.
• Recently, he went into partnership with the clothing company The Gap. He insisted that his line of Yeezy clothing be stored in garbage bags on the floor of the store. Customers were expected to "root through" the bags to find their style and size. Advocates for people experiencing homelessness rightly took exception, but Kanye defended his "trash bag decision" claiming he was a misunderstood and creative genius.

Although his impulsive and outlandish behavior is troubling, none of it, save a few physical altercations with aggressive fans or paparazzi, amount to anything significant. As I searched through many websites and videos dedicated to Ye and all his craziness, I began to weigh his transgressions against the rock stars my friends and I idolized as kids and wondered:

Where does Kanye fit in the great pantheon of controversial rock stars and, do we judge him more harshly?

Consider the following artists who also have records on The 500:

• In November, 1980, Eagles multi-instrumentalist and singer Don Henley called paramedics to his home. Once they arrived, they helped revive a naked,16-year-old girl who had overdosed. A 15-year-old girl was also found in the home. The girls were charged, one with prostitution and the other with drug possession. Henley pleaded "no contest" to the charge of "contributing to the delinquency of a minor". He paid a paltry $2,500 fine and put on two years’ probation. He continues to perform to sold-out audiences and the court case is largely forgotten.

Don Henley performing in 2017

• In 1975, 27-year-old Aerosmith front-man Steven Tyler persuaded the parents of a 14-year-old groupie to allow her to travel on the road with him as "his girlfriend". It was well documented that he did drugs with the teen, and an unplanned pregnancy led to an abortion and their eventual break-up. There were no charges because he secured parental consent. However, one would expect some sort of public outcry for this legal but morally odious action. Again, he continues to perform to sold-out audiences and is still frequently featured as a judge on American Idol.

Steven Tyler doing publicity for American Idol

There are many other examples of rock stars behaving worse than Kanye. And their transgressions have been largely forgotten or forgiven. To name a couple:

• Ozzy Osborne relieving himself at the historic Alamo and, on another occasion, biting the head off two doves.
• Boy George kidnapping and hand-cuffing an escort to a wall and beating him with a chain.

In the case of Osborne and George, there were legal ramifications, but both returned to the public eye quickly. Kanye has encountered some legal issues for his violent outburst, but nothing of any significant consequence. The choices he makes that tend to bring the most tongue-wagging rebuke are, then, minor in comparison.

Perhaps the disparity in the public’s reaction between the behaviour of Kanye and the others is a matter of timing. His transgressions were amplified by the emergence of a rapacious social media, unlike his musical predecessors. Or maybe because hip-hop is, rightly or wrongly, associated with the “gangster rap” world. It might also be because a significant portion of the media reporting on music and pop-culture is dominated by an older, white establishment…and Kanye is an outspoken black man.

I suppose time will tell. Perhaps in 30 years, Kanye's behaviour will have faded into the mists of time, with his success in music surviving. Perhaps he, like Steven Tyler, will be the veteran judge on a future talent show, featuring performers who are not yet born…and who won’t know about any of these controversies.

A Little On The Record

Kanye’s antics aside, I was impressed immediately by this week's record, The College Dropout.. The tracks are varied and interesting. often sounding more like soul music of the early 1970s than the aggressive hip-hop fare I was hearing at the time. Kanye was an early dabbler in a progressive rap genre dubbed "chipmunk soul". This puzzling appellation stems from soul records from the 1960/70s being "sped up" -- much like the voices of those cartoon-singing rodents, Alvin and The Chipmunks.

The album also features, Jesus Walks, one of the few songs from Kanye I knew before embarking on my journey through The 500. One of my Grade 8 students played it for me many years ago during a break in class. He was trying to convince me that Kanye was different from other rappers. He was right. Consequently, I picked it for my 500 Spotify Playlist

The 500 - #353 - My Beautiful Dark Twisted Fantasy - Kanye West

 I was inspired by a podcast called The 500 hosted by Los Angeles-based comedian Josh Adam Meyers. His goal, and mine, is to explore Rolling Stone Magazine's 2012 edition of The 500 Greatest Albums of All Time. 

---

Album: # 353

Album Title: My Beautiful Dark Twisted Fantasy

Artist: Kanye West

Genre: Hip Hop, Progressive Rap, Rap Opera, Art Pop

Recorded: Three Studios, including Electric Lady in NYC.

Released: November, 2010

My age at release: 45. My guest blogger, Harry Hodson, was 18

How familiar was I with it before this week: Not At All

Song I am putting on my Spotify Playlist: Power

When I saw that Kanye West had three records on The 500 I experienced a little anxiety. I was willing to give each record a fair shot, but my opinion on “Yeezy” (West’s preferred nickname) had been coloured by his well-documented antics and divisive, often bizarre, statements.

 

My hockey teammate and teaching colleague Nic, who is 20 years my junior, insisted that I needed to give Yeezy a chance. “Separate the artist from the art,” he told me one evening as we were lacing up our skates before a game.

So, I did. I listened to My Beautiful Dark Twisted Fantasy with an open mind...and Nic was right. This is a tremendously catchy and beautifully crafted record. I have a new appreciation for Yeezy, but I will put my comments on hold for Kanye's next record on The 500, The College Dropout, at position #298.

For this week, Harry Hodson has volunteered to be the guest commentator for this record (MBDTF). Harry is the son of Rob, my friend, teaching colleague and a recent guest blogger himself -- he penned the post for Album #356, 12 Songs by Randy Newman.

Harry & his sister Grace

I have known Harry since he was nine years old. He has his father’s intelligence, love of music and spirit for adventure. I think you will love his insights into this rich and interesting record. Enjoy.

By Harry Hodson

In the early 2010’s, in the years after My Beautiful Dark Twisted Fantasy had dropped, my friend and I used to wake up early in the house we were renting. We would drink coffee while meticulously rolling "far too much" weed into Swisher Sweets, before listening to Kanye West’s entire discography, front to back.

“Swisher Sweet" Cigar products - sometimes used as rolling papers for marijuana blunts”

We enjoyed this ritual every few months for more than a year. If you’re at a point in your life where you can get away with a directionless day, it's highly recommended. What better compliment can you really give to a performer than to tune out the world in favour of their music?

My Beautiful Dark Twisted Fantasy (MBDTF) is the fifth release by American rapper and producer Kanye West. The bulk of the record was recorded during West’s self-imposed exile in Honolulu, Hawaii. 

There are so many individual points in the album that are just perfect, whether it be the kick of the first King Crimson sound-bite sample in the track Power, or Pusha T’s legendary ‘YEUGH’ on Runaway. Part of me thinks that Yeezus might secretly be better, and I truly love his earlier albums as well, but no piece of music is likely to ever hit me in the chest the way MBDTF did...and does. I treat my love of this record like an addict -- I worry about my rising tolerance, so I sometimes take it out of my Spotify rotation, just to keep it pure.

Album Cover for Power - single release

For me, My Beautiful Dark Twisted Fantasy marked the peak of West’s creative output. In the context of his recent outrageous behaviour, and the albums which followed, MBDTF might seem like Kanye’s pop record. However, when it dropped, it was strange and beautiful and, if you were a music nerd like me, you were delighted by any opportunity to discuss it.

Music review sites dutifully ran pieces describing either their rapturous joy upon hearing MBDTF or, in an attempt to establish journalistic gravitas, some decided it wasn’t really that good after all. Regardless, I don’t think I went to a house party that year that didn’t include West’s music and I, a deeply pretentious man, did not get sick of it, nor was I ever too cool to sing along with Runaway.

Album Cover for Runaway - single release

The album does so many things well, and makes transitioning in between them seem so effortless. I was tempted to write this review song by song, but then I figured that might lead to fewer people feeling the need to listen for themselves.

 

In brief, Who Will Survive In America introduced me to Gill Scott-Heron. His I’m So Appalled is pure energy, and I firmly believe that there is a large population of people who have had the best sex of their lives while Devil In A New Dress was playing. I could go on. It’s like that line from the comedy film, Get Him To The Greek, “I brush my teeth to this shit.”

Kanye West’s latest album, Donda, dropped the week I was writing this. I wasn’t sure this would happen. The manic-savant that is Kanye may have just as easily decided that the entire record needed to be reworked. Kanye is unpredictable.  Sometimes, it’s frustrating being a Kanye fan because you have to connect yourself to a person whose future comments and output are wildly erratic -- not an issue that I face with any other living artist I respect.

Kanye infamously interrupts Taylor Swift's Video Music Award's Speech

When Kanye entered the Oval Office of the White House in a MAGA hat I decided that I was no longer a fan of the man, but it's impossible for me to ignore the effect that his music has had on me over the course of my life. I debated whether politics or his personal life were within the scope of an album review, but part of Yeezy’s greatness was always the way that you could hear his life coming through the music. Being a person with bi-polar disorder, it felt wild hearing Kanye mention his Lexapro medication on record years later. His openness on MBDTF had the same effect on me, even if it wasn’t as specific.

Kanye in the Oval Office (October, 2018)

There’s a picture I really love of Kanye in the recording studio in Honolulu that was set up for the album. He appeared distracted and, on the wall behind him, was a series of rules he had taped up for the session. One of them read, “Just shut the fuck up sometimes,” which is my personal favourite.

Kanye in the studio with his motivational poster wall.

I could see a lot of people wishing Kanye would take that piece of his own advice more often. I've often though, "please stop saying childish things on camera and delaying your albums so that I can worship you in peace". If only I could love things forever as much as I used to love Kanye, but I can’t really fault him for not spending more time in the studio and starting a shoe company instead, or for marrying Kim Kardashian. He doesn’t owe me anything.

Kanye & his former wife, Kim Kardashian
on the cover of Vogue (April, 2014)

Kanye West won’t be able to age into a space where he’s a universally respected musician because he is never going to stop being experimental in his art and in his personal life, and this album wouldn’t be as great if it were made by a different person.

During the MBDTF recording sessions, Kanye insisted that everyone get up in the morning and play basketball together before work started later in the afternoon. It’s a funny image, a bunch of producers and rappers playing ball with the Hawaiian surf behind them while Kanye called late comers to “hurry up and hustle for points”. I like to imagine that it was a beautiful time in his life, creating an album that satisfied all his unrealistic demands and working with brilliant people in paradise.

Kanye on the court

I’m honestly not that excited about the release of Donda, which carries the realization that ten years is a long time and I’ve changed a lot along the course of Kanye’s career. I thought that when I sat down to revist  MBDTF, played very loudly on good headphones, that I was going to get a blast of nostalgia. But this record is more than that -- It still kicks ass!