Tuesday, 1 April 2025

The 500 - #167 - Master Of Puppets - Metallica

I was inspired by a podcast called The 500 hosted by Los Angeles-based comedian Josh Adam Meyers. His goal, and mine, is to explore Rolling Stone Magazine's 2012 edition of The 500 Greatest Albums of All Time. 


Album: #167
Album Title: Master Of Puppets
Artist: Metallica
Genre: Thrash Metal
Recorded: Sweet Silence Studios, Copenhagen, Denmark
Released: March, 1986
My age at release: 20
How familiar was I with it before this week: Fairly
Is it on the 2020 list? Yes, at #97, rising 70 spots
Song I am putting on my Spotify Playlist: Master of Puppets
In the summer of 2024, I penned a lengthy post about Metallica's Black Album (#255 on The 500) in which I sketched out a brief history of heavy metal -- from its founding in late-’60s heavy blues, through its commercially successful glam rock phase in the ‘80s and into the arrival of Metallica in 1984.
In that post, I recalled my introduction to Metallica in 1987 when I was working at Fluffy's Pizza with a devoted headbanger named James Fast. James worked in the kitchen and, at first, I was a delivery driver. We both worked late into the night, especially on weekends, often finishing our shifts at 3:00 a.m. Those long hours were ballasted by caffeine, cigarettes and music. The stereo system in my car (a 1981 Chevette) was in overdrive, and James had his portable cassette player blasting away at the back of the kitchen.

We quickly connected over a shared love of Rush, Iron Maiden, Queensryche and Judas Priest; however, my tastes skewed toward more progressive rock sounds (Genesis, Peter Gabriel, Marillion, Yes) and James liked his sound louder and heavier. Among his favourite bands were the Danish Black Metal band Mercyful Fate and Metallica.
Metallica in 1987 (l-r) Kirk Hammett (lead guitar), Lars Ulrich (drums),
Jason Newsted (bass) and James Hetfield (guitar, vocals).
James tried hard to make me a Metallica fan, sharing stories of their epic performances and regularly sharing cassette tapes of their albums. These included their most recent work, Master Of Puppets, which I could listen to  during deliveries. I didn't mind the music. The songs were high energy and aggressive and that helped keep me awake as I drove around, squinting for street names and house numbers during late night deliveries. In a time before Satellite navigation and on-screen mapping apps like Waze, I relied on a well-worn map that I kept stuffed in the glove compartment. It had been folded and unfolded so many times it was hard to read the street names obscured in the creases.
The approximate delivery area I served, with Fluffy's Pizza Springbank located
on the map with a red star.
Despite James' best efforts, Metallica didn't stick – just another band that I "didn't mind" but too indifferent to commit time or money. Eventually, though, I was won over and Metallica songs are now scattered through my workout playlists.
I have to give Metallica and James their due. Master Of Puppets is an important record and considered by fans and music critics to be a highwater mark for Thrash Metal -- hailed for its strong lyrics, technical excellence and influence on the genre. The guitar riffs are relentless and the lyrics tap perfectly into teen-age anger, conspiratorial curiosity, rebellion and angst.

A 500 Podcast guest and Metallica fan, Joe Manganiello, aptly described the record as containing "muscular poetry", touching on themes of addiction, anti-war, religious corruption and corporate exploitation. It also delivered  a powerful instrumental inspired by H.P. Lovecraft's cosmic horror series, The Call of Cthulhu. In view of those laudatory comments I wonder why the teen-age version of me didn't like the record more.

Cthulhu (The Old One) creature from H.P. Lovecraft's mythos.
Perhaps I'll check in again with my friend "Jimmy Quick", as I like to call him. We have remained in touch over these past 40 years. He works as a sound engineer on television productions and is still a fan of Metallica. I'll have to let him know his late night, oven-side persuasions finally worked.


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