The 500 - #239 - Like A Prayer - Madonna

I was inspired by a podcast called The 500 hosted by Los Angeles-based comedian Josh Adam Meyers. His goal, and mine, is to explore Rolling Stone Magazine's 2012 edition of The 500 Greatest Albums of All Time. 

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Album: #239
Album Title: Like A Prayer
Artist: Madonna
Genre: Pop
Recorded: Three California studios and Prince's Paisley Park studio in Minnesota

Released: March, 1989
My age at release: 23
How familiar was I with it before this week: I knew the hits

Is it on the 2020 list? Yes, at #331, dropping 92 places from 239, since 2012
Song I am putting on my Spotify Playlist: Like A Prayer

Like A Prayer was the fourth studio record from the multi-faceted cultural icon, Madonna. It became the second of three records from the singer/songwriter to appear on The 500 list, with her Immaculate Collection coming up at #184. In June, 2021, I wrote a post about album # 367, Ray Of Light, providing some background and the story of seeing her perform during her 2015/16 Rebel Heart tour.

The Rebel Heart concert was a stunning visual spectacle. Performed on a massive set-piece that included a long, cross-shaped catwalk which led from the main stage to a smaller, heart-shaped second stage. The show featured set-changes, including a spiral staircase that descended from the arena ceiling.

Rebel Heart stage set.

The main stage also featured a hydraulic-powered, video-screen floor that was raised and lowered throughout the show. Consequently, the seven- piece backing band was set up stage left and right, while "Madge" and her 20-person dance troupe strutted their stuff on the many available surfaces and even aerially.

Rebel Heart main stage with the hydraulic video floor raised.

I thoroughly enjoyed the performance, but the night also marked the point where my opinion on Toronto shows (especially on a school night) began to sour. Notoriously tardy, Madonna did not grace the stage until after 10:00 that night. Consequently, my head did not hit the pillow at home in London, Ontario, 180 kilometres away until 3 a.m. Truth be told, even if the show had ended at the scheduled time of 11 p.m., we still would not have made it back until after 2 o’clock.

Madonna performing Iconic, to open her Rebel Heart show.

There was a time, prior to 2005, when a quick trip to Toronto to see a show or sporting event (Blue Jays, Raptors or Maple Leaf game) was easy, even on a school night. My wife or a friend and I would pop into my car at 3:30 and be in a downtown Toronto restaurant having dinner by 6:00. Even if the event ended at 11:00, I'd be sawing logs by 1:30.  An extra cup of coffee in the morning would vanquish any brain fog.

Things have changed. The volume of traffic in and around Toronto is now almost impenetrable. My friend Steve "Lumpy" Sullivan and I went to see Genesis in November, 2021. Lumpy picked me up immediately after my school day ended and we were on the 401 highway by 4 p.m.  By the time we parked, checked into our hotel and "sprinted" (more of a post-50-year-old fat guy jog) to the Scotiabank Arena, we plonked into our seats just as the band hit its first note -- no pre-show dinner for us.

Nevertheless, there was plenty of time for food post-show. That was only because we had booked a downtown room at, believe it or not, a reasonable rate of $220. Current rates for popular downtown Toronto hotels often exceed $500 on weekends. After the last few Toronto shows I have been to, I have driven directly home. Even so, that comes with its own set of complications. When friends and I went to see Porcupine Tree perform in September, 2022, we spent an hour trying to get from Meridian Hall on Front Street to the Gardiner Expressway -- a distance of 500 metres (1/2 a kilometre). It was then another hour before we cleared the Greater Toronto area, still an hour and a half from home.

1/2 kilometer distance from Meridian Centre to the Gardiner Expressway

Fortunately, I live about two hours from both Detroit, Michigan and Buffalo, New York – both big entertainment centres. Even with border stoppages, the journey is shorter and, despite the currency exchange rate, hotels are much cheaper. I even drove to Ottawa in September to see Peter Gabriel perform on a Saturday, rather than trying for his Wednesday date in Toronto. That trip was convenient because my dad lives not far from the entertainment venue, providing the opportunity for a visit and free digs.

Relistening to Like A Prayer in preparation for this post was a blast from the past. I did not own the record, but the six hits (including four that cracked the Top Ten in 1989) were omnipresent that year. The album marked a change in direction for Madonna and she made the recording during a time of emotional turmoil.  As she explained in a 2014 interview:

"It was a real coming-of-age record for me emotionally," Madonna told me. "I was at the end of my marriage [to actor Sean Penn] and I was working with Pat (co-producer Patrick Leonard), who was also in a very dark state of mind, and we worked in a very isolated place in the San Fernando Valley. I was very lonely when I was working on the record. I had to do a lot of soul-searching, and I think it is a reflection of that."

For many fans, Like A Prayer" marked the moment when Madonna figuratively and literally, left behind her 20--something pop persona. The newly-minted 30-year-old wrote introspective and revelatory songs and she explored her relationship with her family and faith. She also reflected on the brief time she had with her mother, Madonna Louise, who died of breast cancer in 1963 when the younger Madonna was six. It was not lost on the singer that, at 30, she was then older than her mother had been when she died.

Baby Madonna with her parents, 1958.

The record's title track was a monster hit for Madonna and is considered by many critics to be her best song. Rolling Stone Magazine's 500 Greatest Songs Of All Time listed it at #306 in a 2004 edition of the periodical. The video to the song was incredibly controversial at the time, with provocative images representing sexual assault, racism, interracial relationships and Catholic iconography, including Madonna revealing a stigmata. The video shows the songstress dancing in front of a church and burning crosses while wearing a crucifix and dressed in a small, sheer, slip-dress. She closes the video kissing a black Jesus. Technically, that was historically accurate, although evangelicals were fixated on a blue-eyed Son of God who looks more like Barry Gibb than a Middle Eastern Jewish man. Everything about the performance seemed intentionally executed to maximize the ire of the Christian right-wing, particularly in the south. I loved it!!

Screen capture from Madonna's Like A Prayer video.

Shortly before releasing the video, Madonna had signed a $5 million contract with Pepsi for rights to the song in a commercial campaign launched in January, 1989. The video from the Pepsi commercial was vastly different, depicting a far more wholesome All-American version of Madonna reflecting on her childhood and dancing in ‘50s-style vignettes. However, calls from evangelicals and even the Pope to boycott Pepsi products forced the soda company to pull the commercial and distance itself from the campaign. Interestingly, the complainers are mostly the same people who whine about “cancel culture”.

Promotional photo from Pepsi's ill-fated Like A Prayer campaign.

Despite this, Madge got to keep the $5 million and the controversy only helped record sales that spring. Now, if we can just get her to show up on time for her future concerts ...either in Detroit or Buffalo!