I was inspired by a podcast called The 500 hosted by Los Angeles-based comedian Josh Adam Meyers. His goal, and mine, is to explore Rolling Stone Magazine's 2012 edition of The 500 Greatest Albums of All Time.
Album: # 341
Album Title: Play
Artist: Moby
Genre: Electronica, Downtempo, Techno-Ambient
Recorded: Moby's Home Studio (Manhattan)
Released: May, 1999
My age at release: 34
How familiar was I with it before this week: Quite
Is it on the 2020 list? No
Song I am putting on my Spotify Playlist: Natural Blues
Between 1998 and 2010, I worked as a weekend bartender at Garlics Restaurant in my hometown of London, Ontario. It is located on a trendy stretch of Richmond Row, beside the Grand Theatre and a short walk from the John Labatt Centre (now Budweiser Gardens).
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| Garlics of London (formerly Garlics Restaurant) London, ON |
One of the many terrific things about working behind a bar in a busy, downtown bistro was serving the late night crowd -- aka "The Jazz Crowd". They were the patrons who arrived without a pressing agenda, not trying to squeeze in a meal before going to the theatre or a concert. They usually weren't driving, so they happily ordered multiple bottles of wine or sampled several signature cocktails, martinis and craft beers. They were, like jazz, a free-flowing, easy-going, collection of eclectic spirits.
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| Garlics bar (since renovated) - my weekend home for 12 years |
By contrast, the pre-theatre crowd was often pressed for time, excited to eat and drink before a performance. We had to get them seated, served and shipped before the curtain went up at 8:00 sharp -- all without seeming as if anyone was in a hurry. This was a team effort pulled off by everyone from the host to the cooking staff, ever-visible in our open concept kitchen. It required a balancing act, coupling efficiency, manners and an easy-going disposition. Like the proverbial duck, we were composed on top and paddling furiously beneath the surface. 
The tension relaxed after 8:00 on a Friday or Saturday night, shirt sleeves were rolled up to the elbow, kitchen staff spelled each other for breaks (usually a cigarette) and I was at liberty to change the music in the Compact Disc player. Systematically, I would swap out the jazz standards and easy, familiar coffee-house and world music selections for discs that were more uptempo, avante-garde and even risque.
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| Garlics' theatre seating standards (circa 2000) |
In the early 2000s, one of my favourite discs to shuffle into the Compact Disc carousel mix was Play by Moby. Released in the spring of 1999, it is the fifth record by multi-instrumentalist and electronic musician Moby (born: Richard Melville Hall).
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| Moby (early 2000s) |
My first exposure to Moby came with the release of the Danny Boyle film The Beach, starring Leonardo Dicaprio, who was white-hot following his performance in the mega-hit Titanic. Moby's song, Porcelain, was featured in the movie's trailer. It, like many of the tracks on this record, immediately grabs your attention. The slow, atmospheric groove is haunting and lush. Porcelain and Natural Blues were the two tracks that invariably motivated a Garlics' patron to head to the bar and ask, "Who is this?"
I haven't listened through Play in many years, until recently. It was a blast of early 2K nostalgia. Unlike some of the other discs we played at Garlics, Play is not anxiety-inducing. Whenever I hear the soundtrack to Big Night or Willie and Lobo's Caliente, I am reminded of the urgency that accompanied a pre-theatre seating. Conversely, Play reminds me of calmly polishing wine glasses as the late night jazz crowd breezed leisurely through the restaurant's front doors. Another memory, another time.
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